Wednesday, 30 September 2020

Helen Reddy - 1941-2020

Helen Reddy, the Australian-born singer whose 1972 hit song “I Am Woman” became the feminist anthem of the decade and propelled her to international pop-music stardom, died on Tuesday, 29 September 2020, in Los Angeles. She was 78.

A statement from Reddy’s children, Traci and Jordan, was posted to her official fan page on Facebook on Tuesday afternoon. “It is with deep sadness that we announce the passing of our beloved mother, Helen Reddy, on the afternoon of  29 September 2020, in Los Angeles,” the statement said. “She was a wonderful Mother, Grandmother and a truly formidable woman. Our hearts are broken. But we take comfort in the knowledge that her voice will live on forever.”

Reddy had been diagnosed with dementia in 2015 and had been living in a Los Angeles nursing home for professional entertainers. Ms. Reddy suffered for decades from Addison’s disease (she had a kidney removed when she was 17) and, since at least 2015, from dementia.

“I Am Woman” reached No. 1 on the Billboard chart on 9 December 1972 - a good six months after it was released - individual call-in requests helped build radio play - and earned her the Grammy Award for best female pop vocal performance. She was the first Australian-born artist to win a Grammy and the first to make it to the top of the Billboard Hot 100 chart.

Some male observers called the song — beginning with the words “I am woman/ Hear me roar/ In numbers too big to ignore,” sung by a 5-foot-3 soprano — angry, man-hating, dangerous or all three.

“That simply underlined the many things women needed liberating from,” Dennis Harvey of Variety reflected in 2019. “Nobody called Sinatra a menace when he sang ‘My Way,’ a no less straightforward hymn to self-determination.”

Besides 'I am woman' Ms Reddy reached the top of Billboard chart with “Delta Dawn”, #1 on 15 September 1973 and “Angie Baby”, #1 on 28 December 1974. Three others songs made the Top 10: “Leave Me Alone (Ruby Red Dress)”, #3 on 17 November 1973; 'You and me against the world', #9 on 20 July 1974 and “Ain’t No Way to Treat a Lady”, #8 on 30 August 1975. More than three decades later, The Chicago Tribune declared her the “queen of ’70s pop.”

Helen Maxine Lamond Reddy was born on 25 October 1941, in Melbourne, Australia, the only child of Max Reddy, a writer, producer and actor, and Stella (Lamond) Reddy, an actress whose stage name was Stella Campbell. Her father was in New Guinea, serving in the Australian Army, when she was born.

The Reddys performed on the Australian vaudeville circuit, and Helen began joining them onstage when she was 4.

At 12, she rebelled by quitting show business and going to live with an aunt while her parents toured. But her financial situation - after an early marriage, parenthood and divorce -  persuaded her to return.

Ms. Reddy had a solid reputation in Australian television and radio when she won a 1966 talent contest sponsored by “Bandstand,” a Sydney pop-music television show. The prize was a trip to New York City and a record-company audition there.

The audition did not pan out, and her career got off to a slow, discouraging start. Before Capitol signed her in 1970, at least 27 record labels rejected her, and she and her new husband, Jeff Wald, who was now her manager, moved - first to Chicago, then to Los Angeles.

Times were hard, especially when the couple lived in New York. In “The Woman I Am: A Memoir” (2006), Ms. Reddy wrote, “When we did eat, it was spaghetti, and we spent what little money we had on cockroach spray.”

Ms. Reddy’s first hit was a 1971 cover of “I don’t know how to love him,” from the award-winning stage show “Jesus Christ Superstar,” which got to #13 at Billboard's chart on 8 May 1971. “I Am Woman,” with Ms. Reddy’s lyrics and Ray Burton’s music, came a year later.

Ms. Reddy was a frequent guest in the early ’70s on variety, music and talk shows like “The Mike Douglas Show,” “The Carol Burnett Show,” “The David Frost Show,” “The Merv Griffin Show” and “The Glen Campbell Goodtime Hour.” “The Helen Reddy Show” (1973) was an eight-episode summer replacement series on NBC.

She made her big-screen debut in the disaster movie “Airport 1975” (released in 1974) as a guitar-playing nun who comforts a sick little girl (Linda Blair) on an almost certainly doomed 747. Ms. Reddy always liked to point out that Gloria Swanson and Myrna Loy were also in the cast.

That was followed by a starring role in the Disney movie “Pete’s Dragon” (1977), as a skeptical New England lighthouse keeper who doubts an orphaned boy’s stories about his animated fire-breathing pet.

After a cameo in the film version of “Sgt. Pepper’s Lonely Hearts Club Band” (1978), starring Peter Frampton and the Bee Gees, it was on to guest spots on “The Love Boat” and “Fantasy Island.”

By the 1980s, her glory days were largely in the past, and she was bored. “I remember the Vegas days when it was two shows a night, seven nights a week,” she told The Chicago Tribune in 2013, “and it became so rote that I’d be thinking about wallpaper while I was singing.”

Ms. Reddy’s Broadway career consisted of replacing the lead in “Blood Brothers,” a musical set in Liverpool, for a few months in 1995. But she had a busy stage career elsewhere, starring in productions of “Anything Goes,” “Call Me Madam” and “Shirley Valentine” in England and in the United States, from Provincetown to Sacramento.

The last Helen Reddy song to make the American charts was “I Can’t Say Goodbye to You” (1981). “Imagination” (1983) was her last album. Her final screen appearance was in “The Perfect Host” (2010), a crime comedy with David Hyde Pierce.

Ms.Reddy performing in Sydney, Australia, in 2009. 

When Ms. Reddy retired in 2002, she meant business: She went back to school, got a degree in clinical hypnotherapy and practiced as a therapist and motivational speaker. In 2012, after a public appearance at her half sister’s birthday party, she announced a show business comeback and made several concert appearances in the United States before retiring again.

She was a strong believer in past-lives regression. (In 1969, as a newcomer in Los Angeles, she studied parapsychology part time at U.C.L.A.) In her 2006 memoir, in a slightly surreal section on British royalty, she declared that the Duchess of Windsor had been the reincarnation of Richard III and that Elizabeth II and Princess Margaret had been, in past lives, the little princes Richard had once locked in the Tower of London.

Ms. Reddy married and divorced three times. In 1961, she married Kenneth Claude Weate, an older musician who was a family friend. They had a daughter and divorced in 1966. In 1968, she married Mr. Wald, and they had a son. They separated in 1981, when he checked into a treatment facility for cocaine addiction, and divorced two years later. That same year, she married Milton Ruth, a drummer in her band. They divorced in 1995.

Survivors include her two children, Traci Wald Donat, a daughter from her first marriage, and Jordan Sommers, a son from her second; her half sister, Toni Lamond, an Australian singer and actress; and one grandchild.

A feature-film biography of Ms. Reddy, “I Am Woman,” had its premiere at the Toronto International Film Festival in 2019. The Hollywood Reporter called it “entertaining and sharply packaged,” with a “breakout performance” by Tilda Cobham-Hervey as Ms. Reddy.

In a 2013 interview, Ms. Reddy seemed philosophical. “I am at the age where I can just kick back and say what a wonderful life I’ve had,” she told The Sydney Morning Herald. And she laughed when one very familiar question came up: whether she was nervous the first time she went onstage.

“I don’t remember the first time I went onstage,” she said.

Helen Reddy in 1977. 

Helen Reddy, Australian singer of feminist anthem 'I Am Woman', dies aged 78

The singer, whose career was celebrated in the 2019 biopic of the same name, had been diagnosed with dementia several years ago

29 September 2020
Stephanie Convery

Helen Reddy, the Australian singer best known for her anthemic 1972 hit I Am Woman, has died at 78.

A statement from Reddy’s children, Traci and Jordan, was posted to her official fan page on Tuesday afternoon.
I Am Woman: how Helen Reddy’s music roared through the women’s movement
Reddy might have once been famously called the “queen of housewife rock” by Alice Cooper, but her music captured the zeal of a generation of women radicalised by the sixties and a nascent second-wave feminist movement.

Reddy became a star despite pushback from record companies at the time, many of which believed there was little money to be made in music by women. In the early 70s, Reddy’s songs dominated the Billboard charts. In 1972, she won a Grammy for best female pop vocal for I Am Woman, becoming the first Australian to do so. She was the world’s top-selling female vocalist in 1973 and 1974.

By the end of her career Reddy had 15 top 40 singles and three no. 1 hits, including her most popular, I Am Woman, and had sold more than 25m albums in the United States alone.

Reddy was born in Melbourne in 1941 to a family embedded in the performing arts. She left school at 15 to perform on the road with them, before launching an independent career.

At the age of 20, Reddy met and married musician Kenneth Weate. The relationship was short-lived; after it ended, Reddy moved back to Sydney with her baby daughter, Traci.

She moved to New York in 1966 with Traci after winning a talent competition that offered the winner a potential recording opportunity for Mercury Records. She was unsuccessful but undaunted, and decided to remain in the States and try to make a career as a singer, despite having very little money and few prospects. Due to issues with her visa, she made trips back and forth to Canada to work.

In 1968, she met her future music manager Jeff Wald at a party. The couple were married quickly, and Reddy decided to stay in the US.

Reddy, Wald and Traci lived frugally until, after frequent lobbying, Wald managed to secure Reddy the opportunity to record a single at Capital Records. It was the intended B-side of that single, I Don’t Know How To Love Him, from the musical Jesus Christ Superstar, that kicked off Reddy’s career, reaching no. 13 on the Billboard charts in 1971.

I Am Woman was released the following year, and by December had topped the charts, making Reddy the first Australian singer to have a number one hit in the United States.

I Am Woman set off a chain of hits for the Reddy, including Delta Dawn, Angie Baby, Leave Me Alone (Ruby Red Dress) and You and Me Against the World. By the mid-70s, she was performing to packed out crowds in Vegas, with the likes of Joan Rivers and Barry Manilow opening for her.

She appeared on talk shows and variety programs, including The Bobby Darin Show, The Muppet Show, and took up a recurring co-hosting slot on The Midnight Special.

Reddy also developed a minor film and TV career, including roles in the thriller Airport 1975 (1974) and the family film, Pete’s Dragon (1977). Later in life, she would cameo as herself on Family Guy.

Reddy’s music career had tapered off by the 1980s, but I Am Woman still reverberated around the industry, reappearing in film and TV soundtracks and as pop culture shorthand for feminist empowerment. In 2006, Reddy was inducted in to the Australian Recording Industry Association Hall of Fame.

Reddy’s former husband and manager Jeff Wald reflected in a piece for the Guardian in August this year on the attitudes of the record companies to Reddy’s success. “The record executives said: ‘How can you let your wife do that women’s lib crap? It’ll end her career!’” he said. “I don’t ‘let her’ do anything. I didn’t marry somebody that you gotta ‘let’.”

His comments came as Reddy’s life and career were immortalised in a feature film, I Am Woman, directed by Unjoo Moon and starring Tilda Cobham-Hervey as Reddy.

Moon paid tribute to Reddy in a statement on Tuesday, saying: “When I first met Helen Reddy she told me that I would be in her life for many years. What followed was an amazing seven-year friendship during which she entrusted me with telling her story in a film that celebrates her life, her talents and her amazing legacy.

“I will forever be grateful to Helen for teaching me so much about being an artist, a woman and a mother. She paved the way for so many and the lyrics that she wrote for I Am Woman changed my life forever like they have done for so many other people and will continue to do for generations to come.”

Reddy is survived by her children, Traci and Jordan, and her sister Toni Lamond.



Sunday, 27 September 2020

Yvonne Staples *23rd October 1937 +10 April 2018

 Yvonne Staples, member and manager of the Staple Singers, dies at 80

by Liam Stack, 10 April 2018
The New York Times

from left: Pops, Cleotha, Yvonne & Mavis Staples.

Yvonne Staples, who provided background vocals for her family's hit-making pop & soul group, the Staple Singers, while taking the lead in managing its business affairs, died on Tuesda, 10 April 2018 at ther home in Chicago. She was 80.

The cause was colon cancer, sadi Bill Carpenter, a family friend. 

Ms. Staples began singing with her family's act in 1971 and performed on some of their biggest hits, including 'Respect yourself' and 'I'll take you there'.

'She was very content in that role,' said Mr. Carpenter, the author of 'Uncloudy Day: The Gospel Music Encyclopedia.' 'She had no desire to be a front singer, even though people in the family told her she had a great voice.'

Yvonne Staples was born in Chicago on 23 October 1937, to Oceola and Roebuck Staples, who was known as Pops.

Yvonne's father formed the Staples Singers with his children Pervis, Mavis and Cleotha in 1948. They performed in churches in and around Chicago, toured the South and became active in the civil rights movement, traveling with the Rev. Dr. Martin Luther King Jr.

Yvonne Staples joined the group in 1971, when Pervis left for military service. The group, whose music blended gosple, soul and pop, had a string of hit songs in the 1970s. 'Respect yourself' reached No.2 on the Billboard charts in 1971, 'I'll take you there' No.1 in 1972, and 'Let's do it again' was a No.1 hit in 1975.

When her sister Mavis began a solo career in the 1980s, Yvonne performed the same double duty for her, singing background vocals and managing her tours until just a few years ago. At her death she was 'pretty much retired,' Mr. Carpenter said.

The Staples Singers received a lifetime achievement award at the 2005 Grammy Awards. They also received the Rhythm & Blues Foundations' Pioneer Award.

Roebuck Staples died in 2000 and Cleotha Stapples in 2013. Yvonne Staples is survived by her brother and her sister Mavis.
The Staple Singers at Rock'n'Roll Hall of Fame induction ceremony in New York in 1999. From left were Pervis, Cleotha, Pops, Mavis and Yvonne Staples. (Albert Ferreira/AP).
Cleo

Cleotha Staples, the eldest sibling in the influential gospel and R&B group the Staple Singers, died on 17 February 2013, at her home in Chicago. She was 78.

Her death was confirmed by Bill Carpenter, a family friend and music publicist. He said that Ms. Staple had Alzheimer's disease for the last decade.

The Staples Singers were formed in Chicago when the Mississippi-born singer and guitarrist Roebuck Staples, better known as Pops, began teaching gosple songs to his children, Cleotha, Pervis, Yvonne, Mavis and Cynthia, to keep them entertained in the evenings. Mr. Staples and all his children except Cynthia began performing professionally and recording after singing together in church in 1948.

The Staples Singers became one of the biggest gospels groups of the era with songs like 'On my way to heaven' and 'Uncloudy day'. Pops and Mavis Staples handled most of the lead vocals.

They became unlikely pop stars after they were signed by Stax Records in the late 1960s. Adopting a more contemporary sound and focusing on social rather than explicitly religious messages, they had a string of Top 40 hits, including 'I'll take you there',  which spent a week at No.1 on the Billboard pop singles chart in 1972.

Cleotha Staples was born on 11 April 1934, in Drew, Mississippi, the first child of Pops and Oceola Staples. Two years later, the family moved to Chicago.

left to right: Pops, Cleotha, Mavis & Pervis Staples. Photo by Michael Ochs.

Sunday, 19 July 2020

John Lewis, civil rights organizer 1940-2020

The civil rights leader John Lewis, known at the ‘conscience of America’, has died. Born the son of sharecroppers in Alabama on 21 February 1940, he attended segregated public schools and, inspired by the words of Martin Luther King Jr, became active in the civil rights movement. From university onwards he organised sit-ins at segregated lunch counters, took part in the Freedom Rides, was chair of the Student Non-Violent Coordinating Committee and was a key speaker at the historic March on Washington in 1963. He led one of the pivotal moments in the civil rights movement, a march over the Edmund Pettus Bridge in Selma, Alabama that was brutally attacked by state troopers.
An arrest photo from 24 May 1961, when Lewis served 37 days in Parchman Penitentiary in Mississippi for ‘disorderly conduct’ - using a restroom labelled white.
Lewis being arrested in Jackson, Mississippi on 24 May 1961. He and 26 other Freedom Riders were arrested that day.
Young Lewis and a fellow Freedom Rider, James Zwerg, after they were attacked by segregationists in Montgomery, Alabama on 24 May 1961. 
15 Freedom Riders who were arrested in Jackson, Mississipi.
A portrait of Lewis taken in Clarksdale, Mississippi in 1963.
 Lewis in the white overcoat, just before his skull was fractured. Selma, Alabama, 7 March 1965.
Lewis (in foreground) is beaten by a state trooper as they break up a civil rights voting march in Selma, Alabama, 1965. Lewis suffered a fractured skull.
Martin Luther King led a march later that same month from Selma to Montgomery in Alabama. Beside King is Lewis, Reverend Jesse Douglas, James Forman and Ralph Abernathy.
At the head of the march from Selma to Montgomery on 25 March 1965, nuns, priests and civil rights leaders: The Rev. Arthur Matott (from left), John Lewis (head of the Student Nonviolent Coordinating Committee), Andrew Young, Sister Mary Leoline and Theodore Gill.
John Lewis in 1964.

John Lewis, towering figure of Civil Rights era, dies at 80.

Images of his beating at Selma shocked the nation and led to swift passage of the 1965 Voting Rights Act. He was later called the conscience of the Congress.

By Katharine Q. Seelye
Published at the NYT on 17 July 2020

Representative John Lewis, a son of sharecroppers and an apostle of nonviolence who was bloodied at Selma and across the Jim Crow South in the historic struggle for racial equality, and who then carried a mantle of moral authority into Congress, died on Friday, 17 July 2020. He was 80.

His death was confirmed in a statement by Nancy Pelosi, the speaker of the House of Representatives.

Mr. Lewis, a Georgia Democrat, announced on 29 December 2019, that he had Stage 4 pancreatic cancer and vowed to fight it with the same passion with which he had battled racial injustice. “I have been in some kind of fight — for freedom, equality, basic human rights — for nearly my entire life,” he said.

On the front lines of the bloody campaign to end Jim Crow laws, with blows to his body and a fractured skull to prove it, Mr. Lewis was a valiant stalwart of the civil rights movement and the last surviving speaker from the March on Washington for Jobs and Freedom in 1963.

More than a half-century later, after the killing in May 2020, of George Floyd, a Black man in police custody in Minneapolis, Mr. Lewis welcomed the resulting global demonstrations against police killings of Black people and, more broadly, against systemic racism in many corners of society. He saw those protests as a continuation of his life’s work, though his illness had left him to watch from the sidelines.

“It was very moving, very moving to see hundreds of thousands of people from all over America and around the world take to the streets — to speak up, to speak out, to get into what I call ‘good trouble,’” Mr. Lewis told “CBS This Morning” in June.

“This feels and looks so different,” he said of the Black Lives Matter movement, which drove the anti-racism demonstrations. “It is so much more massive and all inclusive.” He added, “There will be no turning back.”

He died on the same day as another civil rights stalwart, the Rev. C.T. Vivian, a close associate of the Rev. Dr. Martin Luther King Jr.

Mr. Lewis’s personal history paralleled that of the civil rights movement. He was among the original 13 Freedom Riders, the Black and white activists who challenged segregated interstate travel in the South in 1961. He was a founder and early leader of the Student Nonviolent Coordinating Committee, which coordinated lunch-counter sit-ins. He helped organize the March on Washington, where Dr. King was the main speaker, on the steps of the Lincoln Memorial.

Mr. Lewis led demonstrations against racially segregated restrooms, hotels, restaurants, public parks and swimming pools, and he rose up against other indignities of second-class citizenship. At nearly every turn he was beaten, spat upon or burned with cigarettes. He was tormented by white mobs and absorbed body blows from law enforcement.

On 7 March 1965, he led one of the most famous marches in American history. In the vanguard of 600 people demanding the voting rights they had been denied, Mr. Lewis marched partway across the Edmund Pettus Bridge in Selma, Alabama, into a waiting phalanx of state troopers in riot gear.

Ordered to disperse, the protesters silently stood their ground. The troopers responded with tear gas and bullwhips and rubber tubing wrapped in barbed wire. In the melee, which came to be known as Bloody Sunday, a trooper cracked Mr. Lewis’s skull with a billy club, knocking him to the ground, then hit him again when he tried to get up.

Televised images of the beatings of Mr. Lewis and scores of others outraged the nation and galvanized support for the Voting Rights Act, which President Lyndon B. Johnson presented to a joint session of Congress eight days later and signed into law on 6 August 1965. A milestone in the struggle for civil rights, the law struck down the literacy tests that Black people had been compelled to take before they could register to vote and replaced segregationist voting registrars with federal registrars to ensure that Black people were no longer denied the ballot.

Once registered, millions of African-Americans began transforming politics across the South. They gave Jimmy Carter, a son of Georgia, his margin of victory in the 1976 presidential election. (A popular poster proclaimed, “Hands that once picked cotton now can pick a president.”) And their voting power opened the door for Black people, including Mr. Lewis, to run for public office. Elected in 1986, he became the second African-American to be sent to Congress from Georgia since Reconstruction, representing a district that encompassed much of Atlanta.

‘Conscience of the Congress’

While Mr. Lewis represented Atlanta, his natural constituency was disadvantaged people everywhere. Known less for sponsoring major legislation than for his relentless pursuit of justice, he was called “the conscience of the Congress” by his colleagues.

When the House voted in December 2019 to impeach President Trump, Mr. Lewis’s words rose above the rest. “When you see something that is not right, not just, not fair, you have a moral obligation to say something,” he said on the House floor. “To do something. Our children and their children will ask us, ‘What did you do? What did you say?’ For some, this vote may be hard. But we have a mission and a mandate to be on the right side of history.”

His words resonated as well after he saw the video of a Minneapolis police officer kneeling on Mr. Floyd’s neck for more than eight minutes as Mr. Floyd gasped for air.

“It was so painful, it made me cry,” Mr. Lewis told “CBS This Morning.” “People now understand what the struggle was all about,” he said. “It’s another step down a very, very long road toward freedom, justice for all humankind.”

When he was younger, his words could be more militant. History remembers the March on Washington for Dr. King’s “I Have a Dream” speech, but Mr. Lewis startled and energized the crowd with his own passion.

“By the force of our demands, our determination and our numbers,” he told the cheering throng on 6 August 1965, “we shall splinter the segregated South into a thousand pieces and put them together in the image of God and democracy. We must say: ‘Wake up, America. Wake up!’ For we cannot stop, and we will not and cannot be patient.”

His original text was more blunt. “We will march through the South, through the heart of Dixie, the way Sherman did,” he had written. President John F. Kennedy’s civil rights bill was “too little, too late,” he had written, demanding, “Which side is the federal government on?”

But Dr. King and other elders — Mr. Lewis was just 23 — worried that those first-draft passages would offend the Kennedy administration, which they felt they could not alienate in their drive for federal action on civil rights. They told him to tone down the speech.

Still, the crowd, estimated at more than 200,000, roared with approval at his every utterance.

An earnest man who lacked the silver tongue of other civil rights orators, Mr. Lewis could be pugnacious, tenacious and single-minded, and he led with a force that commanded attention.

He gained a reputation for having an almost mystical faith in his own survivability. One civil rights activist who knew him well told The New York Times in 1976: “Some leaders, even the toughest, would occasionally finesse a situation where they knew they were going to get beaten or jailed. John never did that. He always went full force into the fray.”

Mr. Lewis was arrested 40 times from 1960 to 1966. He was repeatedly beaten senseless by Southern policemen and freelance hoodlums. During the Freedom Rides in 1961, he was left unconscious in a pool of his own blood outside the Greyhound Bus Terminal in Montgomery, Ala., after he and others were attacked by hundreds of white people. He spent countless days and nights in county jails and 31 days in Mississippi’s notoriously brutal Parchman Penitentiary.

Once he was in Congress, Mr. Lewis voted with the most liberal Democrats, though he also showed an independent streak. In his quest to build what Dr. King called “the beloved community” — a world without poverty, racism or war (Mr. Lewis adopted the phrase) — he routinely voted against military spending.

 He opposed the Persian Gulf war of 1991 and the North American Free Trade Agreement, which was signed in 1992. He refused to take part in the “Million Man March” in Washington in 1995, saying that statements made by the organizer, Louis Farrakhan, leader of the Nation of Islam, were “divisive and bigoted.”

In 2001, Mr. Lewis skipped the inauguration of George W. Bush, saying he thought that Mr. Bush, who had become president after the Supreme Court halted a vote recount in Florida, had not been truly elected.

In 2017 he boycotted Mr. Trump’s inauguration, questioning the legitimacy of his presidency because of evidence that Russia had meddled in the 2016 election on Mr. Trump’s behalf.

That earned him a derisive Twitter post from the president: “Congressman John Lewis should spend more time on fixing and helping his district, which is in horrible shape and falling apart (not to mention crime infested) rather than falsely complaining about the election results. All talk, talk, talk — no action or results. Sad!”

Mr. Trump’s attack marked a sharp detour from the respect that had been accorded Mr. Lewis by previous presidents, including, most recently, Barack Obama. Mr. Obama awarded Mr. Lewis the Presidential Medal of Freedom, the nation’s highest civilian honor, in 2011.

In bestowing the honor in a White House ceremony, Mr. Obama said: “Generations from now, when parents teach their children what is meant by courage, the story of John Lewis will come to mind — an American who knew that change could not wait for some other person or some other time; whose life is a lesson in the fierce urgency of now.”

To His Family, ‘Preacher’

John Robert Lewis grew up with all the humiliations imposed by segregated rural Alabama. He was born on 21st February 1940, to Eddie and Willie Mae (Carter) Lewis near the town of Troy on a sharecropping farm owned by a white man. After his parents bought their own farm — 110 acres for $300 — John, the third of 10 children, shared in the farm work, leaving school at harvest time to pick cotton, peanuts and corn. Their house had no plumbing or electricity. In the outhouse, they used the pages of an old Sears catalog as toilet paper.

John was responsible for taking care of the chickens. He fed them and read to them from the Bible. He baptized them when they were born and staged elaborate funerals when they died.

“I was truly intent on saving the little birds’ souls,” he wrote in his memoir, “Walking With the Wind” (1998). “I could imagine that they were my congregation. And me, I was a preacher.”

His family called him “Preacher,” and becoming one seemed to be his destiny. He drew inspiration by listening to a young minister named Martin Luther King on the radio and reading about the 1955-56 Montgomery bus boycott. He finally wrote a letter to Dr. King, who sent him a round-trip bus ticket to visit him in Montgomery, in 1958.

By then, Mr. Lewis had begun his studies at American Baptist Theological Seminary (now American Baptist College) in Nashville, where he worked as a dishwasher and janitor to pay for his education.

In Nashville, Mr. Lewis met many of the civil rights activists who would stage the lunch counter sit-ins, Freedom Rides and voter registration campaigns. They included the Rev. James M. Lawson Jr., who was one of the nation’s most prominent scholars of civil disobedience and who led workshops on Gandhi and nonviolence. He mentored a generation of civil rights organizers, including Mr. Lewis.

Mr. Lewis, right, and a fellow student demonstrator, James Bevel, stood inside the door of a Nashville restaurant in 1960 during a sit-in to protest the establishment’s refusal to serve Black people.

Mr. Lewis’s first arrest came in February 1960, when he and other students demanded service at whites-only lunch counters in Nashville. It was the first prolonged battle of the movement that evolved into the Student Nonviolent Coordinating Committee.

David Halberstam, then a reporter for The Nashville Tennessean, later described the scene: “The protests had been conducted with exceptional dignity, and gradually one image had come to prevail — that of elegant, courteous young Black people, holding to their Gandhian principles, seeking the most elemental of rights, while being assaulted by young white hoodlums who beat them up and on occasion extinguished cigarettes on their bodies.”

In three months, after repeated well-publicized sit-ins, the city’s political and business communities gave in to the pressure, and Nashville became the first major Southern city to begin desegregating public facilities.

But Mr. Lewis lost his family’s good will. When his parents learned that he had been arrested in Nashville, he wrote, they were ashamed. They had taught him as a child to accept the world as he found it. When he asked them about signs saying “Colored Only,” they told him, “That’s the way it is, don’t get in trouble.”

But as an adult, he said, after he met Dr. King and Rosa Parks, whose refusal to give up her bus seat to a white man was a flash point for the civil rights movement, he was inspired to “get into trouble, good trouble, necessary trouble.”

Getting into “good trouble” became his motto for life. A documentary film, “John Lewis: Good Trouble,” was released this month.

Despite the disgrace he had brought on his family, he felt that he had been “involved in a holy crusade” and that getting arrested had been “a badge of honor,” he said in a 1979 oral history interview housed at Washington University in St. Louis.

In 1961, when he graduated from the seminary, he joined a Freedom Ride organized by the Congress of Racial Equality, known as CORE. He and others were beaten bloody when they tried to enter a whites-only waiting room at the bus station in Rock Hill, S.C. Later, he was jailed in Birmingham, Ala., and beaten again in Montgomery, where several others were badly injured and one was paralyzed for life.

“If there was anything I learned on that long, bloody bus trip of 1961,” he wrote in his memoir, “it was this — that we were in for a long, bloody fight here in the American South. And I intended to stay in the middle of it.”

At the same time, a schism in the movement was opening between those who wanted to express their rage and fight back and those who believed in pressing on with nonviolence. Mr. Lewis chose nonviolence.

Overridden by ‘Black Power’

But by the time of the urban race riots of the 1960s, particularly in the Watts section of Los Angeles in 1965, many Black people had rejected nonviolence in favor of direct confrontation. Mr. Lewis was ousted as chairman of the Student Nonviolent Coordinating Committee in 1966 and replaced by the fiery Stokely Carmichael, who popularized the phrase “Black power.”

Mr. Lewis spent a few years out of the limelight. He headed the Voter Education Project, registering voters, and finished his bachelor’s degree in religion and philosophy at Fisk University in Nashville in 1967.

During this period he met Lillian Miles, a librarian, teacher and former Peace Corps volunteer. She was outgoing and political and could quote Dr. King’s speeches verbatim. They were married in 1968, and she became one of his closest political advisers.

She died in 2012. Mr. Lewis’s survivors include several siblings and his son, John-Miles Lewis.

Mr. Lewis made his first attempt at running for office in 1977, an unsuccessful bid for Congress. He won a seat on the Atlanta City Council in 1981, and in 1986 he ran again for the House. It was a bitter race that pitted against each other two civil rights figures, Mr. Lewis and Julian Bond, a friend and former close associate of his in the movement. The charismatic Mr. Bond, more articulate and polished than Mr. Lewis, was the perceived favorite.

“I want you to think about sending a workhorse to Washington, and not a show horse,” Mr. Lewis said during a debate. “I want you to think about sending a tugboat and not a showboat.”

Mr. Lewis won in an upset, with 52%t of the vote. His support came from Atlanta’s white precincts and from working-class and poor Black voters who felt more comfortable with him than with Mr. Bond, though Mr. Bond won the majority of Black voters.

Not surprisingly, Mr. Lewis’s long congressional career was marked by protests. He was arrested in Washington several times, including outside the South African Embassy for demonstrating against apartheid and at Sudan’s Embassy while protesting genocide in Darfur.

In 2010 he supported Mr. Obama’s health care bill, a divisive measure that drew angry protesters, including many from the right-wing Tea Party, to the Capitol. Some demonstrators shouted obscenities and racial slurs at Mr. Lewis and other members of the Congressional Black Caucus.

“They were shouting, sort of harassing,” Mr. Lewis told reporters at the time. “But it’s OK. I’ve faced this before.”

In 2016, after a massacre at an Orlando, Fla., nightclub left 49 people dead, he led a sit-in on the House floor to protest federal inaction on gun control. The demonstration drew the support of 170 lawmakers, but Republicans dismissed it as a publicity stunt and squelched any legislative action.

Through it all, the events of Bloody Sunday were never far from his mind, and every year Mr. Lewis traveled to Selma to commemorate its anniversary. Over time, he watched attitudes change. At the ceremony in 1998, Joseph T. Smitherman, who had been Selma’s segregationist mayor in 1965 and was still mayor — though a repentant one — gave Mr. Lewis a key to the city.

“Back then, I called him an outside rabble-rouser,” Mr. Smitherman said of Mr. Lewis. “Today, I call him one of the most courageous people I ever met.”

Mr. Lewis was a popular speaker at college commencements and always offered the same advice — that the graduates get into “good trouble,” as he had done against his parents’ wishes.

He put it this way on Twitter in 2018: “Do not get lost in a sea of despair. Be hopeful, be optimistic. Our struggle is not the struggle of a day, a week, a month, or a year, it is the struggle of a lifetime. Never, ever be afraid to make some noise and get in good trouble, necessary trouble.”

MLK being arrested.
Lewis as a newly elected Congressman in 1987, seen here on Capitol Hill with Senator Wyche Fowler.
John Lewis and Amelia Boynton Robinson (in wheelchair), hold hands with Barack Obama and Michelle Obama on the 50th anniversary of the Bloody Sunday march across the Edmund Pettus Bridge in Alabama, 2015. Both Lewis and Boynton Robinson were badly beaten that day.

Rep. John Lewis, Civil Rights icon, dies at age 80

The Georgia Democrat who helped organize the March on Washington and was called the "conscience of Congress," has died.

By Sanjana Karanth, HuffPost US

Rep. John Lewis, the legendary civil rights leader who helped organize the March on Washington and was later known as the “conscience of Congress,” died Friday, 17 June 2020, at age 80.

The Georgia Democrat announced in December 2019 that he had been diagnosed with Stage 4 pancreatic cancer.
“I have been in some kind of fight ― for freedom, equality, basic human rights ― for nearly my entire life,” Lewis said in a statement at the time. “I have never faced a fight quite like the one I have now.”

Lewis has been on the front lines of the fight for democracy for most of his life.

Born on 21st February 1940, to sharecroppers outside of Troy, Alabama, Lewis grew up attending segregated public schools. After watching the activism that sparked the Montgomery bus boycott and hearing the Rev. Martin Luther King Jr.’s words on the radio, Lewis was inspired to join the civil rights movement and fought for voting rights ever since.

As a college student attending Fisk University, Lewis helped organize peaceful sit-in protests at segregated lunch counters in Nashville, Tennessee. At age 21, he volunteered to be a Freedom Rider — one of the activists who risked their lives challenging segregation throughout the South by sitting in seats reserved for white people. The protest was inspired by Rosa Parks, who refused to give up her bus seat for a white man in Montgomery, Alabama, in 1955.

Lewis helped found the Student Non-violent Coordinating Committee and became its chairman during the peak of the civil rights movement from 1963 to 1966. Lewis organized student activism in the movement through SNCC and was eventually considered one of the “Big Six” leaders of the civil rights movement, alongside King.

At 23, Lewis was one of the organizers of and the youngest keynote speaker at the March on Washington in August 1963. He helped launch voter registration drives during the Mississippi Freedom Summer in 1964, yet another example of his determination to bring voting rights to Black people.

Lewis often faced violent consequences for his civil rights leadership. He was repeatedly arrested and beaten by police and angry mobs for challenging Jim Crow segregation in the South and fighting for voting rights.

Sidney Poitier, Harry Belafonte & Charlton Heston at Washington's Civil Rights March in 1963.

Thursday, 7 May 2020

Michael McClure, a beat poet from the 1st hour...

Michael McClure, Bob Dylan and Allen Ginsberg in San Francisco, in 1965.
Robbie Robertson, McClure, Dylan & Ginsberg. 


Michael McClure, present at Beat Poetry’s birth, dies at 87.

He took part in the storied San Francisco reading where Allen Ginsberg unveiled a version of “Howl.” He went on to have his own moments of fame and notoriety.

The poet Michael McClure, left, with Bob Dylan and Allen Ginsberg in San Francisco in 1965. Ten years earlier, Mr. McClure had read his work at an event that famously included an early version of Mr. Ginsberg’s “Howl.”

By Neil Genzlinger for The New York Times

6 May 2020

Michael McClure, who at 22 helped usher in the Beat movement as part of a famed poetry reading at the Six Gallery in San Francisco, then went on to a long and varied career as a poet, playwright, novelist and lyricist, died on Monday, 4 May 2020, at his home in Oakland, Calif. He was 87.

His wife, Amy Evans McClure, said the cause was complications of a stroke he had last year.

Mr. McClure was one of the poetry readers at the Six Gallery, a former auto repair shop that had been turned into an art gallery, on 7 October 1955, a date that Beatdom magazine, marking the 60th anniversary of the event, called “arguably one of the most important dates in American literature.”

To an audience of perhaps 150 people (the number varies in the tellings), Mr. McClure read a poem called “For the Death of 100 Whales,” said to have been inspired by a report that bored American soldiers stationed in Iceland had amused themselves by shooting a pod of whales. But he and the other readers — Philip Lamantia, Gary Snyder and Philip Whalen, with Kenneth Rexroth as M.C. — were overshadowed by the sixth man on the bill, Allen Ginsberg.

That night Mr. Ginsberg premiered an early version of “Howl,” the landmark poem (“I saw the best minds of my generation destroyed by madness”) that became the defining work of the Beat generation.

The night, Mr. McClure wrote in “Scratching the Beat Surface: Essays on New Vision From Blake to Kerouac” (1982), constituted a collective throwing down of the gauntlet.

“In all of our memories no one had been so outspoken in poetry before,” he wrote. “We had gone beyond a point of no return — and we were ready for it, for a point of no return. None of us wanted to go back to the gray, chill, militaristic silence, to the intellective void — to the land without poetry — to the spiritual drabness.”

For Mr. McClure, the event was also a proving ground for a concept.

“What the Six Gallery really did was show us that there was an audience out there that really wanted to hear poetry off the page,” he told The Washington Post in 2017. “That night at the Six Gallery greatly inspired us to go ahead.”

The evening may have belonged to Mr. Ginsberg, but Mr. McClure had his own moments of fame and notoriety in the ensuing years.

His play “The Beard,” first performed in 1965 in San Francisco, caused censorship uproars there and in other cities where it was staged over the next decade, for its obscenity-filled dialogue and a scene of simulated cunnilingus. Actors were sometimes arrested, along with the occasional director or producer.

On a lighter note, a fragment of a ditty that Mr. McClure would sing in gatherings with friends, improvising new lyrics each time, found its way to Janis Joplin. With the help of her friend Bob Neuwirth, she gave it her own tongue-in-cheek spin, called it “Mercedes Benz” and recorded it  a cappella on her album “Pearl,” which was released posthumously in 1971.

“Oh Lord, won’t you buy me a Mercedes-Benz,” the memorable lyrics, credited to all three, begin. “My friends all drive Porsches, I must make amends.”

The song, a wry commentary on materialism less than two minutes long, became one of Ms. Joplin’s most recognizable tunes. In the mid-1990s, somewhat incongruously, Mercedes-Benz used it in a commercial.

Poet Michael McClure on 5 February 1967.

Michael Thomas McClure was born on 20 October 1932, in Marysville, Kan., northwest of Topeka, to Thomas and Marion (Johnston) McClure. He spent much of his childhood in Seattle but returned to Kansas with his mother and stepfather, finishing high school in Wichita. He started college there as well before switching to the University of Arizona, but an interest in art took him to San Francisco in 1954.

“He wanted to study painting,” his wife said in an interview, “not to be a painter but to use the Abstract Expressionist ideas in his poetry.”

He had hoped to study at the California Institute of Fine Arts (now the San Francisco Art Institute), but when that didn’t work out he enrolled at San Francisco State University, studying under the poet Robert Duncan and earning a bachelor’s degree.

Mr. McClure lived near the Six Gallery. The origin story of the famed reading varies depending on the teller, but Mr. McClure said he had initially been asked to organize the event. Over coffee with Mr. Ginsberg, whom he had met at a party, he lamented that he didn’t have time because he and his first wife were expecting a child.

“Allen said, ‘Do you want me to put together the reading?’” Mr. McClure recalled in a 2015 interview with The San Francisco Chronicle, “and I said, ‘Absolutely, man, that would be good.’”
“The Beard,” a play that imagines an encounter between the Hollywood sex symbol Jean Harlow and the outlaw Billy the Kid, had Mr. McClure in the news a lot. He wasn’t arrested when it was performed - as the writer, he was constitutionally protected - but actors in several productions were, on charges including public lewdness. A production in Los Angeles turned into a circus of sorts.

“Every night the actors got two ovations from the enthusiastic packed house,” The Edmonton Journal of Canada recalled in 2005 when “The Beard” was being revived there, “one when the play ended and one when they were escorted out the door and into the paddy wagon to be booked.”

A well-heeled theatrical angel would post bail, and the ritual would be repeated the next night. The charges didn’t stick.

Clive Barnes of The New York Times, reviewing a 1967 production in Manhattan, did not find the play obscene but did find it tedious.

“The author turns his phrases around and around,” he wrote, “like animals wearily pacing up and down a sweating cage. Imagine Norman Mailer mated with Gertrude Stein and you have the picture.”
Mr. McClure’s many poetry collections include “Dark Brown” (1961), “Star” (1970) and “Rain Mirror” (1999).

His novels include “The Mad Cub” (1970), a sexual coming-of-age story. He taught poetry for many years at the California College of the Arts.

Mr. McClure and his first wife, Joanna, married in 1954; the marriage ended in divorce. In addition to his wife, whom he married in 1998, he is survived by a daughter from his first marriage, Dr. Jane McClure.

Mr. McClure, whose circle of friends and acquaintances included Beat figures and many others in the San Francisco counterculture, makes a brief appearance in “The Last Waltz,” Martin Scorsese’s 1978 documentary about the final concert of The Band. He recites a snippet of Chaucer from the stage.

Mr. McClure gave countless poetry readings over the decades, sometimes with a musical accompanist; Ray Manzarek, keyboardist of the Doors, was a frequent performing partner. He was also friends with Jim Morrison, that band’s lead singer, although when they first met they did not instantly bond.

“We took one look at each other, and we didn’t like each other,” Mr. McClure told Las Vegas Weekly in 2016. “He had long hair, and I had long hair. He had leather pants, and I had leather pants. But over drinks, we started talking. We became close friends. I inspired him to publish his poetry books.”

Neil Genzlinger is a writer for the Obituaries Desk. Previously he was a television, film and theater critic. @genznyt • Facebook.

Nat Farbman & a young Michael McClure in 1957. 
Robbie Robertson, McClure, Dylan, Ginsberg, 

Sunday, 17 November 2019

'So close' Jake Holmes


Peaked at #49, and yet Casey Kasem counted it down for one week on AT40.